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Yes, Bond hadn't felt this good or LOOKED this good since the mid-sixites but as if to prove the old adage that you can't have too much of a good thing, we didn't. Even John Barry's music, in his final contribution to the series, is a fresh and exciting affair - blending high tempo action cues with his usual gift for generating a sense of foreboding and pathos in equal measure. The familiar elements are all here - the car, the girls, the locations, but anchored in a real cold war setting with Pretenders loving KGB agents round every corner and the credible whiff of counter-espionage, the whole thing crackles with an energy and an urgency that would have been a fantasy in any of Moores mirth-ridden efforts. His performance reinvigorates the series and makes all thats old new again.

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After so many remakes of You Only Live Twice it certainly is a tonic and Dalton's hard-edged, professional spy washes over you like a radox bath following a 300 mile trek through the Gobi. Goodbye super-villains bloated on world domination plots and hello to arms dealers, Afgan resistance fighters, double crosses and political assassinations. The result is a story set in the real world.

We can only imagine at the relief Richard Maibrum must have felt, given the opportunity to finally write an real screenplay tailored to the new approach, having been no doubt advised in previous outings that plot and character was superfluous to requirements.

Dalton said that half the world loved Connery and the other half loved Moore (which is hedging your bets a bit) but he bravely chose to play it like neither. TD was a RADA trained Shakespearian actor for God's sake and certainly had no intention of smirking and punning his way through each adventure. Dalton's take on the character was to return it (and I hope you're sitting down) to the brooding, cruel and methodical assassin envisioned by Flemming in his original stories. Had the studio had their way, Moore would have been wheeled off for Brosnan and a serious reinvention of the series would have been dropped in favour of the, er, 'winning' return to form we've been privileged enough to have enjoyed since 1995's Goldeneye. We should be grateful for Dalton's two stints as the Bond because they came within a whisp of never existing.

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With its 2021 release, Craig will hold the record for longest continuous actor to represent Bond.The year: 1987, the Man: Timothy Dalton, the film? The Living Daylights and good news for adults across the globe because after sending off their kids to joke it up with Roger Moore for over a decade they could finally sit down to a Bond movie which, whisper it quietly, resembled a real thriller.and a good one at that.

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Timothy Dalton appeared twice as Bond to close out the ’80s with The Living Daylights and License to Kill.Īfter six years, the longest period between switching lead actors, Pierce Brosnan debuted with 1995’s GoldenEye, and exited with 2002’s Die Another Day.Ģ006 saw the introduction of Daniel Craig as the latest Bond in town with Casino Royale, and he will be retiring with the long-delayed No Time to Die. Roger Moore took on the mantle from 1973’s Live and Let Die to 1985’s A View to a Kill, with Connery returning one last time in the non-Eon Never Say Never Again in 1983. Before hitting Connery’s departure from the 007 role in 1971’s Diamonds Are Forever, you’ll encounter George Lazenby’s solo entry (1969’s On Her Majesty’s Secret Service) and 1967’s comedy spoof Casino Royale, which was made outside of Eon Productions, the company founded to steer Bond from the book to the big screen. If you’re looking to watch all the James Bond movies in order, you’ll hit the good stuff right away: All the Sean Connery movies in his first run are classics of the franchise.

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(Photo by United Artists, Sony Pictures / courtesy Everett Collection) James Bond Movies In Order: How To Watch All 27 007 Movies

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